Karakol
The Design, meaning, and use of the Kipara among the Embera and Wounaan People
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Keywords

body design
traditional knowledge
Embera-Wounaan people

How to Cite

Barrigón Pipicay, G. (2023). The Design, meaning, and use of the Kipara among the Embera and Wounaan People: Pueblo Emberá y Wounaan. Karakol, 3(1), 8–16. Retrieved from https://revistas.udelas.ac.pa/index.php/karakol/article/view/225

Abstract

This article describes the use and meaning of body painting used by the Embera and Wounaan peoples with the Kipara (jagua fruit) and the most critical moments in which the paints are used. The research was based on the descriptive methodology, the collection of figures and body designs, and consultations with the Aldea de la Tierra Colectiva, Darién community as a sample group. The Embera people have used the Kipara tree for hundreds of years, and it is even promoted in international arenas by indigenous and non-indigenous artists. The body design with the Kipara fruit is a tradition despite many centuries of assimilation and alienation of the identity of the Embera people. This practice has been capitalized as a national and international tourist offer and therefore represents an essential income for the Embera family.

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